nice price deal !!! after releasing singles with his hommies from luckystars on our conya label and delivering hot remixes on clubstar, here comes the debut single of dj electric from moscow. he is also the man behind the mighty deepology label and the same called radio show. dj electric teamed up with german spanish beauty simone de nauw. after her smah hit luv she delivers bigtime again. next to the original deep n warm electronic mixes you will find a whole wide range of remixes: per qx (uk/swe) takes it to the bigrooms, satoshi fumi (jap) goes deep, edmund gives it the soulful rub (esp) & andrey loud (rus) does it the electronic way. summer must be just around the corner!

already supported by pan-pot, sebo k, anja schneider, kiki, karotte... simplicity is the name of the game on both tracks here. on >louder elvis<, the two unleash pure deep-house bounce over ominous, detroit-inspired pads, clean-as-a-whistle bleeps laser their way through a fog of dubbed-out delay. the tunes flow suggests a live session, with tumbling chords following their own whims, but theres nothing haphazard about it. this ones all about the afterhours, head down and moving steadily into the light. a vocal sample kicks off >radio graceland< but dont expect any bloated rock n roll theatrics. instead, van dowski and agnès lay down a slowly rolling groove with a latin touch and even a little bit of reggaetón lurch. hand drums dapple the landscape with faded colors, keeping the mood subdued—at least, until the beat gathers steam and bright, syncopated chords splash about. groaning analog noises push the energy restlessly forward, driving dancers to wild abandon: the track is as effective as it is unconventional. what else would you expect from two of switzerlands most uncompromising crowdpleasers

the second release on this hard techno label presents some of the big upcoming stars in the scene. the record starts of with the intro and track of label owner orman bitch. orman is defenitely on his way to the top with big releases on cannibal, jli, fatallic and more. next on the a-side jason little who is creating a big stir in the scene with the releases on jasons mask! he is known for his ultrahard style and even sneaks a few dirty samples in.. on the flip we find two equally hard productions of dj hamy from hungary and schranzao da santos...

incl supergroovin touane remix !! the fourth release onthis supercool italy label is one by criss aka the rain. a very surprising release in a very positive way! minimal with a darker vibe into in and a irresistable swing that can t be missed.

third album young desire, again captures the fervour witnessed on lapkos live shows. taking in themes of vulnerability and anxiety beneath hardened exteriors, aching feelings, pressure and confusion, the album is a mental trip back to the schoolyard, where tough guy antics and leather armor cant hide the convulsions underneath. theres new depth and dynamic in the bands expression, fitting for a gang of seasoned rock musicians. these two art school dropouts and metal worker have come a long way from harjavalta (though they still gather there to rehearse and play) and have evolved as a band and as friends.

electric minds present gatto fritto for their 3rd release. a talented musician and producer from north london, he has been steadily building a reputation through his releases on london based dissident. extending his repertoire further he brings another quality production to electric minds. the a side bursting the bubble is a nine minute jam with quirky sync samples, heavy bass and a change in direction half way through the track which is becoming a trade mark of gatto frittos productions. the b side radio b-92 did not make its place on the first electric minds release as planned, so they were delighted to have been able to include it here. it is a sync rich track taking inspiration from new yorks 80s electro scene, a perfect compliment to what is already a very strong 12inch release. house heads as well as the cosmic fans will appreciate both productions

after the genre-smashing, seven vinyl pressings deep (and counting) success of viktor casanova, there is no way that the italoboyz could possibly top their first appearance on mothership, right? wrong! we are happy to report that they have created an organic techno masterpiece in >bahia<, enlisting the help of one of the greatest jazz musicians of our time - john coltrane. youve never heard the master like this - the italoboyz have molded the original >bahia< into a stomping peak timer as only they can. their trademark monster kick underpins stuttering jazz kits, a playful piano line, and an insistent, soulful tenor sax sample from the man himself (cleared after four months of intense negotiations). bahias intro leads into one of the most surprising and euphoric breaks you will ever hear. there are two versions to choose from - the party swing mix gets right to the point, grabbing you by the scruff of your neck. the flip sides mucho lungo mix is perfect for those late night warehouse moments, taking its time to deliver the sweet payoff

after a short introduction as a remixer on the >prismatic ep< kevin over demonstrates his production skills. kevin alone at the home-studio surprises in a musical way. level one: >dollycluster< with its click-beats and latin-inspired sounds gives a impression of the summer-parties at dc10. level two: sennhs deep and happy rework dives gentle into sunset. level three: >forrest dump< is a luminous tech-house masterpiece of the 21st century

two building up monsters with very precise production and clear mixing. these tracks will dominate the floor for sure and drive people crazy with their hypnotic style. the return of a. mochi, who made his name not only with releases on luke slater s >mote evolver< imprint, also his last kumo-release was a massive success by finding a way to combine shaky minimal grooves with the energy of clearly arranged, straight techno

geo records are proud to release the debut ep from raf and o has the air gone walking. the ep is on shiny 10inch vinyl and features four tracks ? sky, cycad, 7 blue and squeezebox. all haunting vocals, shimmering electronics, throbbing bass and glitchy grooves ? its the sound of a three way musical and sonic collision ? informed by a pop sensibility married to an experimental spirit. it marks a relaunch for geo ? the label mainly so far a home for melodectronic space commander gagarin whose several geo releases have garnered largescale critical acclaim across europe. the ep is the first release in a programme of regular eps and albums throughout 2008. has the air gone walking is a taste of whats to come from the debut raf and o album due later this year. raf and o will be undertaking a series of gigs through the spring in support of the album as well as a live session on resonance fm.

this is soul jazz records new journey into the heart of new orleans and a guide to the citys finest funk music produced in the late 1960s and early 1970s. featuring everyone from the meters to eddie bo, lee dorsey to betty harris, this is a whos who of the crescent citys most famous and most funky! the city of new orleans has deep musical roots that stretch back to africa. new orleans first gave birth to jazz music, a black musical form centred on rhythm, improvisation, freedom and collectivity at the turn of the century. similarly in the late 1960s new orleans funk came to define a unique sound, mixing caribbean rhythms, new orleans second line syncopation and rhythm and blues, all played by the big easys finest musicians.

loved by alex from tokyo, alex attias, ame, dixon, marcus worgull, peter kruder, roland appel, tony lionni and many more.. fabrice lig, the prince of everything electronic, is back after his very acclaimed x-slaves. he delivers the goods once again, starting off here with chapter one in a purple raw trilogy. first up is the track, based around a jerky syncopated rhythm and a very dry kick, which remains light all the way. as usual, lig’s arrangements evolve progressively before they wipe us away with their screeching pads and synthetic melodies. a great mixture of minimal techno and detroit nostalgia. no doubt, the more efficient track produced by fabrice lig and hammered by dixon, ame, alex attias, quarion… much more aggressive, bump bump is built around fat analogue sounds, or acid noises if you prefer which seem to emulate screaming animals. one is easily carried away by an animalistic groove that keeps on building from the beginning till the end. it all ends with the very funky the riff pourpre, a perfect crossover between metro area and parliament. the retro sounds sit nicely on a big fat beat, the kind which lig excels in.

luscious, epic and british are not words you would usually associate with an emo band. but i was a cub scout are not your ordinary emo outfit - they re two hardcore souls with passion and emotion dripping out of every pore. and its this passion that has captivated audiences up and down the country. the duo, made up of todd marriott and william bowerman, have come a long way in the 18 months they ve been together. they ve supported bands like babyshambles, panic at the disco, editors and forward russia, played to packed out audiences at download and the carling reading and leeds festivals and made one of the most life affirming albums of 2008, i want you to know that there is always hope, which has been produced by hugh padgham . in a climate of indie band soup, i was a cub scout stand apart. a very british band raised on a diet of american music. a duo who manage the feat of being both indie and rock, punk and prog, small yet big...

matt k from wiesbaden germany and boytoy from paris france found the way into the studio to bring boytoys voice and ambient influences together with matt ks brilliant minimal producing skills. this crossover is an amazing mix aof both worlds. track 1 on the side a >kultur< is a typical matt k production nice effects and bongos. the 2nd track on side a is the >kultur< boytoy remix french experimental. the side b comes with an unforgetable tune by the nameof >froisse< matt k remix. the voice of boytoy and matt ks handwriting is a perfect match. the 2nd track on the side b is boytoys version of >froisse< and calms you down after a long party night!

nice price deal !!! first release of a brand new series on don diablos sellout sessions imprint. don has finally found the time to deliver some more hot original material. dancefloor drama 001 brings you streets of fire, a collaboration between don diablo and new kid on the block: grand jackson. streets of fire delivers a massive lead sound and a killer break, one of the most sought after tracks around will finally get an official release! on the flipside black heat, a catchy crossover fidget electro funk monster with an attitude, which will find its way into the boxes of many djs.

as usual mr beyer delivers the goods for his spectacular drumcode imprint this time by way of a new release from belgian producer - ortin cam. following his amazing twisted outing on drumcode last year he has put a heavyweight follow up 2 tracker on the table that is simply mindblowing. another killer to add to the drumcode catalogue!

shrewd, jay west, joshua heath & the candy dealers christian malloni!! probably flavors strongest release to date, with some superb music from some of the industries best new and old, we have carefully hand picked these tracks for the sampler, to make sure there is something on here for every house head out there. and it seems that its getting massive support from every dj we know worldwide...

andy c & red one have gone out on a limb with this the latest release on their frequency imprint, sister to the scene leading ram records. firstly they have signed two very new artists in the way of deep & shafie, but fortune favours the brave and what they?ve done here is push forward a 12 with a bucket full of class.

supa dupa soulful deeeeep detroithouse !! old skool perfekt in die heutige zeit plaziert...

deep, deeper, peter grummich! this man is on a roll right now, and with every new release you have to ask yourself where this is all going to lead to? however with the >garden ep< he now already delivers the perfect soundtrack for weeding the beds and waterblasting the terrace - and for partying hard, of course. >beachtrak< prefers its quintessential sub-harmonics to just playing it safe with an upfront bassdrum, and finally channels its way in a wide arc up to the next level. a hit also for friends of water gardens. on the b-side grummich enlarges his melodic skills with a sweet flowery scent of detroit on the track >garden<, and >its to share<, which evolves into a great anthem with just an assumed number of 3 sounds and a couple of snotty claps

the long awaited larize release from the talented taras van de voorde is finally coming your way! this guy already released on sians octopus label and on dualblock and has more stuff coming up on some fine labels this year. larize is a smooth warm techhouse song with huge potential and comes with a massive remix by artificial (aki) latvamaki (cocoon / mezzotinto). top notch

the ravage continues with demolition 10, the vinyl sampler! including a broad range of hardcore tracks by promo, d passion and n vitral. following up on the great impression of the tablet promo continues his story telling vibe with a brand new track. the b side contains tracks by two artists which are definitely carved out of the hardest of ttm wood. self made is a perfect example of the typical hardcore sound by d passion. recognizable and at all times party minded! the darkest experiments from this collection of demolition beats come from n vitral and his defliction production, complicated at first but ever so driving in a hard industrial tech kind of way.

debut 12inch on dj cosmoss bitches brew imprint from swedish underground music operators (season records) - house all the way including stomping dancefloor mixes from the switch bitches.

where the previous parts of the magick edit series all reached a small cult status... we were able to get you a total new edition! exclusive edits of some known or maybe unknown tracks... but all done in a great way. the label copy doesnt give much info beside >editechnique production<. two great new york disco tracks with an irresistible groove and one amazing electronic disco funk track. tip

ultraphat harder dark / industrial - noise techno

after the smasher make your own kind of music this new single will remember you on dancing summer nights! package with the incredible pumping phonjaxxs remember remix and the floating didier sinclair in the wave remix. mathieu bouthier & muttonheads are already up on their way to establish their position of one of the new generation of french artists.

hercules and love affair is andrew butler with antony, nomi, and kim ann. butler emerged from making music for college based dance projects into a fully fledged recording artist, via the new york art scene. he hooked up with his friends from there and got them to collaborate and sing his songs and hercules and love affair is the result. antony rose to prominence when he won 2005s nationwide mercury music prize and this is a major step into a new area... a disco influenced mix of glamour and melancholy, happiness and clubbing that has sprung out of the mutual worlds of andrew and antony, kim ann and nomi. hercules and love affair is 2008s most exciting dancefloor concoction, an arthouse vision of pure pop by way of futuristic electronica, 4ad records and classic 70s new york disco, where beautiful, bruising harmonies and tensile rhythms collide in resurgent soundscapes and emotive disco workouts. the album is co produced by andrew butler with tim goldsworthy of dfa.

homewreckers - close your eyes til the morning the amazing success of their last release >its about time< challenged the homewreckers to push their sound a little further out. >close your eyes til the morning< is hardcore groove with a great, burning synth bass that funks along until new york singer dennis legree brings some excitement to the proceedings with his tremendous voice. its pure underground deep house - intense, abstract and dramatic. no wonder that felix da housecat and marshall jefferson supported those guys when they were teenagers! a vital alternative to the melodic clichés and rhythmic orthodoxy of the electronic music mainstream. langenbergs remix gets the b-side under way. backed up by a strong beat it rolls steadily ahead with unflagging propulsion. next up is >hot hot hot<, an exciting up-tempo number which gives kemo another opportunity to show his lyrical feeling while >smile< slows down the pace easing into a down-home hip-hop affair. this is the second of four records representing the vinyl collectors edition of the homewreckers forthcoming album >american ruhr<

matteo spedicati & joseph capriati are among the new breed of italian techno producers, the funkiest shit from this part of the world. both work together for the first time, with a debut for cmykmusik that is a breath of fresh air, all dirty and groovy. >giallo canarino< starts where it ends, in the dancefloor, delivering techno that will hammer all your senses with the joy of the unexpected. changes, mutations, explosions... the 3 tracks are all about rhythm and bass, kicking asses all the way long. if you dont move it with these guys you better ask for help... this is the freshest, funkiest and wildest techno of the year.. no doubts.

this package isbased on the classic of 88 to piano, a track originally released in 1991! the dub version is a bouncy version that explodes in the break, while the original works into a different way to that climax.

this release comes with supreme artwork by seb godfrey following the artwork of their first release. all tracks are very unique in their own way. from deep upbuilding detroitish techhouse to subtle electro and smooth, very intelligent modern electronics. all together we are very pleased to present this package of just good new music.

what better way to kick off this new year with an outstanding ep from our latest signing hailing from japan. ryoh mitomi is becoming a producer to watch in 2008 through his recent releases on belgiums infamous r&s records, technasias minimaxima and canadas restructured recordings. ryohs debut immigrant ep showcases ryohs versatile production style of pure techno to house.

eigelstein royal ist produzent dieter dre mit den mcs moe live, zillus und stingabee...zwischen breakdance raps und eighties pop lassen die jungs keine peinlichkeiten aus um jede party explodieren zu lassen. wot u call it - prollrap, wot u call it - muelltonn. we gonna walk down to eigelstein avenue...

excellent deep groovin / minimal detroithouse at it best... jazzy flavoured

with inner soul (sk178/elektrish) on sonar kollektiv roland appel will tear the clubs down with some new and irresistible deep-house drama. after one year and 2 great eps that have taken dance floors down all over the world munich-born roland appel needs hardly introduction anymore! just 2 words will suffice: dark soldier. this stunning track was a secret hit at the 2007 miami winter music conference, and found its way into the bags and the charts of the biggest djs in the world.

remus is going the minimal way !! and what a bomb three tracker, ultraphat subheavy techno.. artists like emerson, holgi star etc. are already playing and supportying this record to the fullest

some say technasia reinvented emotive dancefloor techno, some say its the way they pump that whiplashes thousands into a frenzied hypnotic fit... whatever the case is, there is no mystery in their ability to conjure up havoc at the place where it ultimately hurts, that of the den, the womb, the final dancefloor... where ever and when ever technasia unleashes >oxide<, one may as well call it home.. ...you were warned.

housing things is a hip shakin techhouser with crazy vocal snips. lee mortimer and big hair deliver straight jacking electro edged remixes. while i be blowin on the flipside goes the more deeper way of house music. a package you cant afford to miss!!!

taken from the aptly titled sacrilege lp of remixes from 1997. here we have a 1-sided 12inch featuring carl craigs bladerunner mix. so hows it sound? well its one of those that never drops, instead building on a rapid fire set of hand-claps, some nice little filtered synth fills, a little bit of vocal. basically those elements twisted, turned and arranged in the way only carl craig can (or did in 97)

das lange warten hat ein ende. fym & s-max sind zurück und zwar straighter als zuvor. musik jenseits der minimalen gesetzmässigkeiten die aber nichtsdestotrotz im selben sound-universum angesiedelt is

jay denhams newest album - the truth - shows jays music diversity other then the -banging techno- he is known for. the album has house. elctro and some funky techno.

one of japans most intriguing graphic artists >baiyon< has also been producing ethereal and engaging tracks since 1998. having journeyed through cut up hip hop house and dub regions under his conceal moniker, d1 invited him to perform two ecstatically received live sets as baiyon at dublins deaf festival in 2005 and in 2007. now for our 41st in the d1 catalogue we are presenting 4 flawless minimal >trecks< of deep space activity. first up is >s soup< a slick fusion of traditional japanese block grooves and drum machine that climbs its way up into a cloud bursting deep dub house melody explosion. side a is completed by a remix of aforementioned track by south african dj/producer >shane berry< of synewave and trapez fame. the mission continues through >the middle< showing a slightly tougher side to this usually light hearted artist. the plate concludes with a stunning bouncy deep jerky house number >can ride, can walk, cant wait< sweet deep melodies dubbed out over club chuggin beats and a red hot squidge bassline

penny and ashtray from osaka, whose idols are both john travolta and linus torvalds and who already released the maxi 12inch floppy disco on saasfee connecting japan and frankfurt as progressive bleepfloor rockers deliver 10 hot new tracks for their first album release and avoid to be specified for one typical genre. the secrets of galaxy z include a mixture between future disco, experimental and psychedelic tracks on a weird trip through the universe of bleepy space a delic sounds.

another impeccable production from the slyde boys, with driving beats, infections vocals, and outstanding remix by man of the moment twocker. the a side is breaks at its best. the bassline weaves its way through the sonic stack as posh seduces with her flirtatious lyrics. an outstanding remix comes courtesy of pete tong faves twocker, whose previous remix skills have run riot on cj bollands sugar is sweeter and morillos we like to move it. their genre crossing slyde remix hits all the house buttons, with a jumping jack intro and intense punchy bass lines which juxtapose perfectly with poshs vocals.

on this already third outing on the very successfull killfactory recordings the objective to offer fastand diabolic hard sounds is still the way to go! this time greg notill, fergis and albert kraner show you what they are capable of doing

hyperdub kick off 2008 they way they intend to proceed, with new tracks from a new artist. on her debut release, ikonika comes with her own very unique, warped yet soulful bleep sound. with shape shifting beats that switch styles every few bars its hard to pin these two tracks down... cos if it was easy, it just wouldnt be hyperdub. both tunes are one minute minimal, one minute maximal, driven along by ikonikas special combination of wonky synth and deep swingin sub bass melodies that place them somewhere between an early, blocky grime instrumental and the sweeter side of detroit techno ? except with better bass of course! who needs a vocalist when your synth can sing like this? quite how kode9 manages to keep unveiling new producers of such abundant talent is a conun drum, but one to be cracked some other time when we?re not so busy keeping up with his astonishing labels ceaseless march into the future.

williams is back with a brand new 12inch for get physical, el baile. the lead track immediately enthrals with its galloping kick, snare and analogue bass pattern, before a typically williams-eque, fat but understated electro motif, phased chords and crisp percussion edits propel it onwards into the heart of the dancefloor. >the unbearable truth< is a thrillingly modern, moody take on the straight-up acid track. a devastatingly simple, bending acid line lies at the heart of the track, but its the way the uncompromisingly linear beat and one-note bassline play off it that really makes this track fly. house music to get lost inside. >kiss of life< sounds every bit as vital and reviving as its title implies. its beauty lies in the intricate and expressive interplay of synths: beginning with a lowslung melodic motif, a more nimble, staccato bassline emerges, before the deep, kosmische-style chords arrive ahead of a powerful breakdown into heads-down techhouse strut.

taken from the forthcoming album !!knives was produced during the album sessions, but works best as a single for djs as its a massive club track. paul woolford has been the track playing in every set recently. this is the first single to be released from >the truth<, paul woolfords new artist album, and this is the only way vinyl fans can get hold of tracks from paul woolford presents bobby peru >the truth<. knives is purpose built for sound systems the world over. direct floor techno with some quick edits and quirky touches.

sometimes, its still worth not to waste your youth with nonsense but to learn to play an instrument. like in the case of sebastian mullaert, who has learned to play violin, organ and piano, while his partner marcus henriksson rather came from kraftwerk and human league to electronic music. as son kite, the two swedes have already a well-known name in the psy-trance scene, and as minilogue, they now start to conquer the minimal and house world. with their rather unique sound, they manage the tightrope walk between minimal and trance and never allow us to put them into a drawer. especially with their debut on cocoon rec, minilogue present themselves in a different way, compared to their releases on traum or wagon repair. >jamaica< is a calm track at the first hearing and is perfect for building up a set. beginning with bird-like sounds, the track builds up slowly and quickly becomes very interesting and tricky, ramifies as organic as a climbing plant, and when the tribal sound emerges from the underground, this track has exactly what makes minilogue so special: organic matter and groovy sounds, worked into a minimal labyrinth with very much love for the details. all of that can also be found on the b side which seems to be more adequate for the morning hours, with its somehow spacey sound. with >jamaica<, mullaert and henriksson prove that they are floating on the very surface of the endless minimal ocean. and with their album >animals< being already in sight on cocoon recordings, one can be highly anxious of what is coming ahead, by minilogue and techno made in sweden